Limitless

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Neil Burger

March 8, 2011

Edward Morra (Bradley Cooper) is a struggling author who frequently turns to alcohol for inspiration as he tries to type the opening sentence of the book for which he has already received an advance.  Eddie runs into Vernon, the brother of his ex-wife (Johnny Whitworth), a well-dressed drug dealer who believes himself to be a successful businessman. He offers Edward a clear tablet called NZT that he claims to increase brain activity from the typical 20% to a whooping 100%. After taking the medicine, Eddie experiences an extraordinary burst of drive; he is able to recite a sparkling cocktail of unimportant facts (which makes him seductive to women), recollect everything he’s ever seen or heard in an amazingly structured manner, and pick up new languages just by listening.

“Limitless” is far more engaging than ordinary, mindless thrillers for two reasons: First off, Eddie doesn’t actually have superhuman abilities, making the premise much more plausible. Given the widespread belief that drugs produce bizarre behavior, the fact that Edwards enhanced mental ability was brought on by a drug discourages further investigation. Without time travel or aliens with otherworldly characteristics, it is just a science-fiction concept. Green-screen work, CGI, the transformation of a foggy gray environment into a vibrant golden one, and hyperactive camera antics serve as examples of his great intelligence. Second, our superhero frequently loses his superpowers and has to deal with opponents that lack advanced weapons in the real world, as well as the related downers of addiction and crashing. 

“Limitless” is presided over by a necessary narration that deftly fills in the blanks left by insufficient action. The remaining scenes alternate between action, tension, and violent humor. The unexpected outcome can leave you with doubts and worries, but it will also undoubtedly make you feel satisfied.

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